The Italian cinema sphere will be
represented at this year's Venice Film Festival by a 'triple M'
of directors, among others: Mario Martone, Franco Maresco and
Pietro Marcello.
The festival will run from August 28 to September 7 with a
jury under Argentinian Lucrecia Martel.
Three Italians will be serving as a unifying thread between
Italy's past and more recent history.
There is a classic of Eduardo De Filippo's moral theatre
adapted to the contemporary Naples of 'Gomorra' in a text by
Mario Martone, who will be in the competition for the second
year in a row.
After 'Capri Revolution', he will be in the running for the
Golden Lion 'Il Sindaco del Rione Sanita' ('The Mayor of Rione
Sanita') with Francesco Di Leva in the role of the godfather
Antonio Barracano, to whom everyone asks for justice and
protection as a sort of Camorra boss halfway between morals and
power almost despite himself.
Then there is a grotesque interpretation of Sicily some 25
years after the killings of the judges Falcone and Borsellino in
Franco Maresco's 'La Mafia Non E' Piu' Quella di una Volta'.
In this film, a disenchanted director comes up against the
civil rights passion of an 80-year-old photographer who has
documented a long string of mafia crimes over the decades while
street performer Ciccio Mira is working on a concert entitled
"Neomelodici per Falcone e Borsellino".
And then there is more Naples, where Pietro Marcello set an
adaptation of Jack London's 'Martin Eden' (which was set in
California in the book) to talk about the novel, culture which
crushes misery, social classes that divide populations across
the world, and love, which has extraordinary power.
The story is a world that laughs at temporal rules, with a
chameleonic Luca Martinelli, who starts out as an illiterate
sailor but after falling in love with the upper-middle-class
Elena becomes a successful novelist.
The three Italian directors acting as a unifying thread for
the story of Italy between good and evil alongside stories using
a great deal of fantasy and literary references.
Out of competition, on the other hand, are Gabriele
Salvatores's 'Tutto il Mio Folle Amore', in which an adolescent
leads the three most important adults in his life - played by
Claudio Santamaria, Valeria Golino and Diego Abatantuono and
from Fulvio Ervas's book 'Se Ti Abbraccio Non Avere Paura' and
'Vivere' by Francesca Archibugi, a story revolving around a
family starring Micaela Ramazzotti and Adriano Giannini.
In its world premiere are two episodes of eagerly awaited
international television series by Sky Studios: 'The New Pope'
by Paolo Sorrentino with Jude Law and John Malkovich and
'Zerozerozero' by Stefano Sollima, based on Roberto Saviano's
bestseller on cocaine trafficking.
There are many others, as well, such as a story on influencer
Chiara Ferragni in 'Chiara Ferragni - Unposted' by Elisa
Amoruso, as well as Alessandro' Rossetto's 'Effetto Domino' on
the economic crisis in the Northeast and the "surprising and
undefinable" 'Il Varco by Federico Ferrone and Michele
Manzolini.
There is also the closing film 'The Burnt Orange Heresy' by
Giuseppe Capotondi in the fiction section and 'Il Pianeta di
Mare' by Andrea Segre in the non-fiction section, which talks
about Marghera and environmental impact.
'Citizen Rosi' by Didi Gnocchi and Carolina Rosi is a film on
Italian history through the films of Francesco Rosi.
In the Orizzonti section there is the autobiographical debut
of Nunzia De Stefano (former wife of Matteo Garrone, met on the
set of 'Gomorra', who grew up in a Ponticelli container for
those displaced by the 1980 earthquake) called 'Nevia' and the
debut by Carlo Sironi (son of Alberto, the Montalbano director
who recently passed away) with 'Sole'.
Biennale College is bringing in Chiara Campara's debut with
'Lessons of Love', while among the documentaries of Venezia
Classici are Eugenio Cappuccio's 'Fellini Fine Man', Steve Della
Casa's 'Boia, Maschere e Segreti: l'Horro Italiano degli Anni
Settanta', and 'Se C'e un Aldila' Sono Fottuto: Vita e Cinema di
Claudio Caligari' by Simone Isola and Fausto Trombettta, as well
as 'Life as a B-Movie: Piero Vivarelli by Fabrizio Laurenti and
Niccolo' Vivarelli, and Simone Scafidi's 'Fulci For Fake.
There will also be an Italian short film in the Orizzonti
section: 'Supereroi Senza Superpoteri' by Beatrice Baldacci.
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